LANGRISE, GO DOWN - AIDAN HIGGINS

Welcome to the world of Aidan Higgins, where nostalgia intertwines with irony, and the past constantly casts a shadow on the present. "Langrishe, Go Down" is not just a novel, it's a journey into the depths of the human psyche, where every corner hides a secret and every character carries the burden of history. Prepare for a literary feast that will stir your emotions and prompt you to reflect on transience and the inevitability of fate.

• Elegy for Modernism: Higgins portrays the decline of pre-war cultural formation.
• Irony and Fatalism: The narrative conveys a contradictory image of transience.
• Familiarity and Strangeness: The past mixes with progress, creating a unique atmosphere.
• Crisis of Irish Culture: The novel is a commentary on the pre-war crisis.
• Masterful Pen: Aidan Higgins is one of the most important Irish prose writers.

The bus passes frozen landscapes and deserted houses as Helen Langrishe returns from Dublin to her family's Springfield House in County Kildare. The closer she gets to the ancestral estate, the more her thoughts revolve around the themes of death and the passage of time: old families, once confined to stately, now decaying houses, fade into oblivion, and cemetery tombstones sink into the ground, indifferent to the living and their powerlessness. The Irish province freezes in uncertainty, even though ominous echoes of the events of the 1930s reach it. A harbinger of the coming changes was, as it turns out, the arrival of a stranger from Germany at the Langrishe house.

Aidan Higgins portrays the decline of pre-war cultural formation, creating an elegy for modernism and a response to Yeats' vision of Anglo-Irish history. The narrative, laced with irony and fatalism, conveys a contradictory image of transience, in which familiarity neighbors strangeness, superstition neighbors science, and the past neighbors progress. In his work, Higgins often referred to his own experiences, especially travels to southern Spain, Germany, Rhodesia (now Zimbabwe) and South Africa, which served as material for his three autobiographical volumes, collected in 2004 under the title A Bestiary.