BRUNO SCHULZ COLLECTIVE WORK ALBUM OF DRAWINGS

Discover the fascinating world of drawings by Bruno Schulz, one of the most outstanding Polish writers and artists of the 20th century. The album "Collective Work" is a collection of unique works that transport you to the surreal and symbolic world of his imagination. Get to know the dark obsessions and subversive interpretations of human nature that Schulz expressed through his drawings.

• Unique collection of drawings by Bruno Schulz
• Introduction by Prof. Jerzy Jarzębski
• Hardcover ensuring the durability of the album
• Ideal gift for art and literature lovers
• Subversive interpretation of human nature
• Grotesque and disturbing visions of the artist

Bruno Schulz (1892-1942) was not only an outstanding writer, author of "The Street of Crocodiles" and "Sanatorium Under the Sign of the Hourglass", but also a talented graphic artist, painter and draftsman. His drawing work, often overlooked, is an integral part of his artistic output. The album "Collective Work" allows for a deeper understanding of his artistic vision, showing hidden obsessions and fascinations.

The album contains 64 pages full of drawings, which are characterized by a disturbing atmosphere, grotesqueness and a subversive interpretation of human nature. The 198x154 mm format makes the album handy and ideal for viewing anywhere. The hardcover ensures durability and an elegant appearance, making it a perfect gift for art and literature lovers.

Bosz Publishing House, known for its attention to the quality of publications, took care of the careful edition of the album, fully reflecting the characteristic style of Schulz's drawings. The introduction by Prof. Jerzy Jarzębski, an outstanding expert on Schulz's work, introduces the reader to the world of the artist and helps to understand the context of his works.

"Collective Work" is not only an album with drawings, but a journey into the depths of the mind of one of the most original artists of the 20th century. It is an opportunity to discover a lesser-known, but equally fascinating side of Bruno Schulz's work.