ME - THE PURIM JESTER - DARIUSZ DEKIERT, IRMINA GADOWSKA

Discover the fascinating anthology of works by Mojżesz Broderson, one of the most important writers of the Jewish artistic avant-garde in interwar Łódź. This extensive collection presents a wide spectrum of his literary activity, from poetry and dramas to satirical and cabaret texts, press articles, and previously unpublished correspondence. Immerse yourself in the rich world of Jewish culture and the artistic life of Central and Eastern Europe in the 20th century.

• The first such extensive anthology of Mojżesz Broderson's works
• Wide spectrum of literary activity: poetry, dramas, satire
• Unique cabaret texts and press articles
• Unpublished correspondence of Broderson
• Valuable source for researchers of Jewish culture
• Restoring Broderson's rightful place in the history of Yiddish literature
• Hardcover ensuring the durability of the edition

Mojżesz Broderson was an extremely colorful and influential figure in the artistic scene of Łódź. His work, full of humor, irony, and deep reflections, was an important voice in the debate about identity and the human condition in the turbulent interwar years. This anthology allows you to rediscover his talent and understand his contribution to the development of Yiddish literature.

The Publishing House of the University of Łódź, known for its high editorial and substantive quality, offers readers a carefully prepared volume that will surely interest both specialists and lovers of Jewish literature. The hardcover ensures the durability of the edition, and the careful selection of texts guarantees a complete picture of Broderson's work.

This book is not only a collection of literary texts but also a fascinating journey through time and space, allowing you to understand the spirit of the era and discover the richness of Jewish culture. It is a must-read for all who appreciate high-quality literature and want to expand their knowledge of the history and culture of Central and Eastern Europe.

The anthology is also a valuable source for researchers of Jewish culture, literary historians, and all those interested in the artistic life of Łódź in the interwar period. Thanks to it, it is possible to more fully understand the role and significance of Broderson in the context of the artistic and intellectual currents of that time. This book will certainly contribute to reviving interest in his work and restoring him to his rightful place in literary history.