THE FILM MARKET IN POLAND

Discover the fascinating world of Polish cinema after 2005. This book analyzes the main trends in film production, distribution, and promotion, offering a unique insight into the dynamics of the domestic cinema. Is financial support sufficient, and is the situation stable? How to interest the Polish audience in domestic productions? You will find answers to these questions in this publication.

• Market analysis: Comprehensive look at the Polish film market.
• Production trends: Main trends in film production after 2005.
• Film distribution: Mechanisms of distribution and promotion of films.
• Financial support: Assessment of the effectiveness of financial support for cinema.
• Popular genres: Review of film genres enjoying the greatest popularity.
• Audience opinion: The role of the audience in shaping the film market.
• New media: The impact of new media on film viewing.

The book discusses the post-war history of Polish cinema, without which it is difficult to understand the current mechanisms governing the film and culture market. The author analyzes the institutional and legal side, the main production and distribution trends, and the dissemination of film culture in Poland. This publication is thoroughly proprietary, supported by verified data and materials from Anna Wróblewska's rich professional experience. It is a must-read for anyone who wants to understand the Polish film market.

The author presents the results of her pioneering research in an accessible way, analyzing soft factors such as the successes of creators on the international stage, as well as responses to the needs of an increasingly demanding audience. This book is not only a source of knowledge, but also an inspiration for further research on Polish cinema. It is a publication for all film lovers, film studies students and film industry professionals.

In the book, you will find answers to questions about film ideas, sources of funding, and ways to reach a wide audience. The author discusses the most important trends and problems of the industry, using accessible and journalistic language. This is a read that will surely interest anyone who wants to better understand the Polish film market and its specifics. The book is an ideal source of knowledge for people interested in film production, distribution and promotion of films in Poland.